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Lou Castel | Jeff, Regisseur | |
Eddie Constantine | Er selbst | |
Marquard Bohm | Ricky, Schauspieler | |
Hanna Schygulla | Hanna, Schauspielerin | |
Rainer Werner Fassbinder | Sascha, Herstellungsleiter | |
Margarethe von Trotta | Babs - Produktionssekretärin | |
Hannes Fuchs | David | |
Marcella Michelangeli | Margret | |
Karl Scheydt | Manfred | |
Ulli Lommel | Korbinian, Aufnahmeleiter | |
Kurt Raab | Fred | |
Herb Andress | Coach | |
Monica Teuber | Billi, Maskenbildnerin | |
Benjamin Lev | Candy, spanischer Aufnahmeleiter | |
Gianni Di Luigi | Kameramann | |
Werner Schroeter | Deiters, Fotograf | |
Magdalena Montezuma | Irm | |
Rudolf Waldemar Brem | Oberbeleuchter | |
Thomas Schieder | Jesus, Beleuchter |
Director |
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Producer | Peter Berling
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Writer/Composer |
Rainer Werner Fassbinder (screenplay)
Rainer Werner Fassbinder |
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Cinematography | Michael Ballhaus
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Music | Peer Raben
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On a film set there are two things missing, the film material and the director. So the actors and actresses as well as the crew try to make the best out of the situation. When the director arrives the material is still missing and so they still wait and try to make the best out of the situation. When the material finally arrives all folks involved into the film find themselves in a weird situation. Jealousy, competition and despair are ruling. Nobody seems to be able to break through this atmosphere, so they all still try to make the best out of the situation, but this is probably not the way to finish the film. - Written by Oliver Heidelbach |
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