Compilation/Packaged Set: Silent Shakespeare
Barcode 014381922424
Release Date 1999

Such stuff as dreams are made on... In the early days of cinema, pioneer filmmakers created these seven films based on the plays of William Shakespeare. Considered a "lowbrow" medium, the fledgling movie industry sought to elevate its status by immortalizing the classics and hiring the greatest actors of the day. As most of these early photoplays were only one or two reels long, adapting the Bard proved to be both challenging and inspiring. Digitally restored by the British Film Institute.

Principal entry

This DVD features:

  1. King John (Britain, 1899),
  2. The Tempest (Britain, 1908),
  3. A Midsummer Night's Dream (USA, 1909),
  4. King Lear (Italy, 1910),
  5. Twelfth Night (USA, 1910),
  6. The Merchant of Venice (Italy, 1910),
  7. Richard III (Britain, 1911).

King Lear
Film D’Arte Italiana (1910)
Drama, Short, Silent
In Collection
#1179
6*
Seen ItYes
(10/18/2017)
IMDB   6.2
16 mins Italy / Silent
DVD  Region 1
Francesca Bertini Cordelia
Ermete Novelli King Lear
Olga Giannini Novelli A daughter
Giannina Chiantoni A daughter
Director/Choreographer
Gerolamo Lo Savio
Writer/Composer William Shakespeare


An early film version of Shakespeare's classic. King Lear decides to divide his kingdom amongst his three daughters. The oldest two daughters fawn insincerely over their father, and get most of his possessions. The youngest daughter, Cordelia, is much less lavish in her displays of affection, and disappoints her father. But events soon lead the old king to find out how each of his daughters really feels about him.
Edition Details
No. of Discs/Tapes 1
Personal Details
Links ‡ Full Movie

Notes
As with most of the silent films on this dvd, King Lear is of most interest to students of film history· King Lear is one of the most complex of Shakespear's plays, making it difficult to translate to mime·
Of particular interest is the colorizing used in the film· There was, of course, no color film in 1910· If color was used, the film had to be colorized by hand, a tedious process· Apparently the version of King Lear produced for the dvd was cobbled together from several fragments, some colorized, some not·
I am not certain how these films were colorized, but I did see one reference to "stencils", perhaps using a technique used by the engineering department of a firm I onced worked for· We produced color-coded maps, each color represented a different feature· Perhaps fifty or so copies of each map was produced· Stencils were cut for each color on a map sheet· Colored ink was then hand applied using the stencils· If this was the technique used to colorize the film, a separate set of stencils would be required for each of the hundreds of frames in a movie-an expensive and tedious process· Perhaps some automation was developed. In any event, colorized films would be only distributed to high-end theaters and movie circuits.