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Jean Marais | Orphée | |
François Périer | Heurtebise | |
María Casares | The Princess - Death | |
Marie Déa | Eurydice | |
Henri Crémieux | L'éditeur | |
Juliette Gréco | Aglaonice | |
Roger Blin | The Poet | |
Edouard Dermithe | Jacques Cégeste | |
Paul Amiot | Judge | |
René Worms | Judge | |
Raymond Faure | ||
Pierre Bertin | Le commissaire | |
Jacques Varennes | Judge | |
André Carnège | Judge | |
Claude Mauriac | ||
Philippe Bordier | Young Man at Café des Poètes | |
Claude Borelli | Une bacchante | |
Jean-Louis Brau | Un jeune homme à la terrasse du flore | |
Jean Cocteau | Narrator | |
Renée Cosima | Une bacchante | |
Jacques Doniol-Valcroze | Young Man at Café des Poètes | |
René Lacourt | Postman | |
Julien Maffre | Un agent de police | |
Jean-Pierre Melville | Le directeur de l'hôtel | |
Jean-Pierre Mocky | Le chef de bande |
Director/Choreographer |
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Producer |
André Paulvé
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Writer/Composer |
Jean Cocteau
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Cinematography |
Nicolas Hayer
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Music |
Georges Auric
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At the Café des Poètes in Paris, a fight breaks out between the poet Orphée and a group of resentful upstarts. A rival poet, Cègeste, is killed, and a mysterious princess insists on taking Orpheus and the body away in her Rolls-Royce. Orphée soon finds himself in the underworld, where the Princess announces that she is, in fact, Death. Orpheus escapes in the car back to the land of the living, only to become obsessed with the car radio. This film is the central part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960). |
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