Four Weddings And A Funeral
Channel Four Films (1994)
Comedy, Queer Themes/Interest, Romance
Not In Collection
#1239
7*
Seen ItYes
(12/9/2017 PBS)
IMDB   7.0
117 mins UK / English
TV Episode  Region 1
James Fleet Tom
Hugh Grant Charles
Simon Callow Gareth
Simon Kunz John with the Unfaithful Wife - Wedding One
Kristin Scott Thomas Fiona
Corin Redgrave Hamish
Andie MacDowell Carrie
Charlotte Coleman Scarlett
Rowan Atkinson Father Gerald
Rowan Atkinson Father Gerald - Wedding Two
Paul Stacey Frightful Folk Duo - Wedding One
Sara Crowe Laura
John Hannah Matthew
David Bower David
Rupert Vansittart George
Nicola Walker Frightful Folk Duo - Wedding One
Timothy Walker Angus
Ronald Herdman Vicar
Director
Mike Newell
Producer Tim Bevan
Richard Curtis
Writer/Composer Richard Curtis
Cinematography Michael Bonvillain
Michael Coulter
Music Richard Rodney Bennett


The film follows the fortunes of Charles and his friends as they wonder if they will ever find true love and marry. Charles thinks he's found "Miss Right" in Carrie, an American. This British subtle comedy revolves around Charlie, his friends and the four weddings and one funeral which they attend. [Written by Rob Hartill]
Edition Details
No. of Discs/Tapes 1

Notes
Four Weddings And A Funeral is a very funny British comedy as we move through the weddings and funeral following Charles's quest for a mate· Of special interest is the director Mike Newell treatment of the gay couple, Matthew and Gareth· They are treated Linchpin


Matthew and Gareth remain one of my favourite gay couples in mainstream cinema, simply because the film treats their relationship so matter of factly. By not shouting about it, it almost becomes more politically powerful, as it presents homosexuality as part of the fabric of life that’s barely worth commenting on because it’s so normal.

In most cinema homosexuality is still the ‘other’, something unusual to be remarked on, but in Four Weddings it’s quiet, loving and powerful. It also leads to the film’s highest emotional point, and it actually says something that they’d base that moment on a tragedy that’s befallen a gay relationship. Gareth and Matthew often get forgotten when people talk about gay characters in cinema, and it’s because the fact that they’re gay is so incidental and unremarkable, but in truth it makes them all the more powerful.