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Geoffrey Rush | Alberto Giacometti | |
Tony Shalhoub | Diego Giacometti | |
Sylvie Testud | Annette Arm | |
James Faulkner | Pierre Matisse | |
Clemence Poesy | Caroline | |
Kerry Shale | Art Dealer | |
Armie Hammer | James Lord | |
Takatsuna Mukai | Japanese Man | |
Philippe Spall | Pimp | |
Martyn Mayger | Older man in cafe | |
Attila G. Kerekes | Parisian Passer-by | |
Laura Bernardeschi | Cafe costumer | |
Dolly Jagdeo | Party Girl | |
Begona F. Martin | Prostitute | |
Monica Lovari | Prostitute | |
Sylvie Testud | Annette Giacometti | |
Kerry Shale | Claude Martineau | |
Annabel Mullion | Anne-Marie Frenaud | |
Tim Dreisden | Café Waiter | |
Takatsuna Mukai | Annette's Lover | |
Gaspard Caens | Pimp | |
Maja Bloom | French Girl in the Dream | |
Maria Teresa Capasso | Italian Friend of Giacometti | |
Laetitia Cazaux | French Prostitute | |
Reizel Ori | French Courtesan |
Director/Choreographer |
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Producer | Gail Egan
Ilann Girard Nik Bower Michael S. Constable |
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Writer/Composer |
Stanley Tucci
James Lord |
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Cinematography |
Danny Cohen
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Music |
Evan Lurie
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Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most. |
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