| Koyaanisqatsi | |||||
| IRE Productions (1982) | |||||
| Documentary, Experimental/Avant-Garde/Art House | |||||
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In Collection
#15 |
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8*
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| Lou Dobbs | Himself | |
| Ted Koppel | Himself | |
| Edward Asner | Self - On TV | |
| Pat Benatar | Self - On TV | |
| Jerry Brown | Self - On TV | |
| Johnny Carson | Self - On TV | |
| Dick Cavett | Self - On TV | |
| Marilyn Chambers | Self - On TV | |
| Sammy Davis Jr. | Self - On TV | |
| Lou Dobbs | Self - On TV | |
| Thomas Dolby | Self - On TV | |
| Linda Ellerbee | Self - On TV | |
| Jerry Falwell | Self - On TV | |
| Mark J. Goodman | Self - On TV | |
| Ted Koppel | Self - On TV | |
| Peter Sellers | Self - On TV | |
| Bill Tush | Self - On TV |
| Director/Choreographer |
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| Producer |
Francis Ford Coppola
Mel Lawrence Godfrey Reggio |
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| Writer/Composer |
Ron Fricke
Michael Hoenig Godfrey Reggio Alton Walpole |
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| Cinematography |
Ron Fricke
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| Music |
Philip Glass
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Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass. |
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