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| Marco Antonio Treviño | Rodolfo | |
| Guadalupe Del Toro | Doña Herlinda | |
| Letícia Lupercio | Olga | |
| Josefina González | ||
| Arturo Meza | Ramón | |
| Marco Treviño | Rodolfo | |
| Lucha Villa | Self | |
| Guillermina Alba | Billy | |
| Madres y Comadres | Band in Chapala | |
| Arturo Camacho | ||
| Jorge Antonio Contreras | ||
| Clemencia de Cisneros | ||
| Arturo Galindo | ||
| Angelica Guerrero | ||
| Ernst Jager | ||
| Anna Kurtycz | ||
| Tarcila Martinez | ||
| Lorenza Newton | ||
| Eduardo Rivas |
| Director/Choreographer |
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| Producer |
Guillermo del Toro
Manuel Barbachano Ponce |
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| Writer/Composer |
Jaime Humberto Hermosillo
Jorge López Páez |
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| Cinematography |
Miguel Ehrenberg
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In this sly Mexican sex comedy, a manipulative mama deftly manages the life of her homosexual son so that he can have his cake and eat it too. A woman of means, she does this by allowing her son, a doctor, to tryst in her home with his lover. Putting her son's happiness above all else, she then arranges a marriage of convenience to a woman. When the marriage is consummated, the young male lover gets terribly jealous and this creates problems until the irrepressible Doña Herlinda again gets involved. |
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