| Goodbye Seventies | |||||
| Bangor Films (2020) | |||||
| Drama, Queer Themes/Interest | |||||
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Not In Collection
#2383 |
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0*
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| Chris Rehmann | Bradford | |
| Ken Kaissar | Vinny | |
| Justin Ivan Brown | Horse | |
| James Kleinmann | Richard | |
| Andrew Cawley | Matt | |
| Marie Smalley | Esta | |
| Julie Chapin | Lexxy | |
| Ashlie Burgun | Beth | |
| Jack Waters | Eddie | |
| Fatima Lewis | Melody | |
| Kevin 'Flotilla DeBarge' Joseph | Flo | |
| Graham Straus | Paul | |
| Mike Dreyden | Larry | |
| Todd Verow | Nob Hill Manager | |
| Hucklefeary | Harry | |
| Charles Lum | Razor Robber | |
| Tom Galindo | Malcolm | |
| Jono Mainelli | Broadway Director | |
| Alain Laforest | Newscaster | |
| Rico Noguchi | Ted | |
| Chris Shields | Party Boy | |
| Sarah Fensom | Party Girl | |
| Garret Hole | Cock |
| Director/Choreographer |
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| Producer |
James Kleinmann
Charles Lum |
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| Writer/Composer |
Todd Verow
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| Cinematography |
Todd Verow
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| Music |
Colin Owens
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In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down |
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