Giselle - Ballet alla Scalla de Milán
Ballet/Dance
Not In Collection
#2340
5*
Seen ItYes
(12/29/2020 YouTube)
USA / English
YouTube 
Svetlana Zakharova Giselle
Roberto Bolle Il Principe Albrecht


Giselle is a two-act ballet, with music by Adolphe Adam, choreography by Jules Perrot and Jean Coralli and libretto by Théophile Gautier and Jules-Henri Vernoy, based on Heinrich Heine's De l'Allemagne (1835). Giselle's variation of the first act is not Adam's original. It was later incorporated and is believed to have author Leon Minkus. It was released in 1841.
As the ballet begins, a nobleman named Albrecht is busily wooing a young, beautiful peasant girl named Giselle. Albrecht leads the young maiden to believe that he is a farmer named Loys. Giselle falls in love with the man, unaware that he is already betrothed to Bathilde, daughter of the Duke. She agrees to marry the man, despite the romantic advancements of another peasant, Hilarion, who suspects that Albrecht is an imposter. Giselle wants badly to dance, but her mother warns her that she has a weak heart.
A prince and his entourage are soon announced by a hunting horn. When the prince's daughter realizes that she and Giselle are both engaged, she gives her a gold necklace. Hilarion tells Giselle that Albrecht has been deceiving her, that he is actually a nobleman. Bathilde quickly reveals to Giselle that Albrecht is indeed her fiance. Horrified and weak, Giselle goes mad and dies of a broken heart. That's where the ballet gets emotional.
The second act of the ballet takes place in a forest beside Giselle's grave. The Queen of the ghostly Wilis, virgins who have died of unrequited love, calls upon them to accept Giselle as one of their own. When Hilarion stops by, the Wilis make him dance to his death. But when Albrecht arrives, Giselle (now a Wili herself) dances with him until the Wilis' power is lost, when the clock strikes four. Realizing that Giselle has saved him, Albrecht cries at her grave.
Edition Details
No. of Discs/Tapes 1

Notes
I am not a fan, in general, of these early 19th century ballets. This prsentation of Giselle to my tastes was too full of exaggerate pantomime and women bouncing around on their tippy toes. Since it is a classic, this aspect may be true of productions. Overall this production lacked energy and emotion. The music seemed banal.

There are many productions of Giselle available on YouTube and dvd.
YouTube: This production