| Salome - Live from the Teatro alla Scala | |||||
| Teatro alla Scala Production (2007) | |||||
| Drama, Music, Opera | |||||
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In Collection
#2180 |
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7*
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| Nadja Michael | Salome | |
| Peter Bronder | Herodes | |
| Iris Vermillion | Herodias | |
| Falk Struckmann | Jochanaan (John the Baptist) | |
| Matthias Klink | Narraboth | |
| Natela Nicoli | A Page of Herodias | |
| Manuel Von Senden | A Jew | |
| Gregory Bonfatti | A Jew | |
| Antonio Feltracco | A Jew | |
| Ian Thompson | A Jew | |
| Thomas Gazheli | A Jew | |
| Mark Steven Doss | A Nazarener | |
| Thiago Arancam | A Nazarener | |
| Gabor Bretz | A Soldier | |
| Giancarlo Boldrini | A Soldier | |
| Carlo Malinverno | A Cappadocier | |
| Ketevan Kemoklidze | A Slave | |
| Gábor Bretz | A Soldier |
| Director/Choreographer |
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| Writer/Composer |
Oscar Wilde
Hedwig Lachmann |
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| Music |
Richard Strauss
Orchestra Of The Teatro Alla Scalsa |
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| Conductor | Daniel Harding
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Salome is Oscar Wilde’s twist on the biblical story of Herod, Herodias, and Salome. The story tells of a lovely young girl Salome, her step-father Herod’s obsession with her, and Salome’s infatuation with the prophet John the Baptist (Jokanaan). This hypersexualized story and grim-fated heroine have outraged and intrigued audiences for the last century. Salome’s infamous “dance of the seven veils,” a seductive dance for her step-father, is one of the opera’s most famous musical moments, even though it has angered probably just about as many people as it has pleased. |
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