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Carlos Acosta | Carlos Acosta (actual) | |
Santiago Alfonso | Pedro Acosta | |
Keyvin Martínez | Carlos Acosta (joven) | |
Edlison Manuel Olbera Núñez | Carlos Acosta (niño) | |
Laura De la Uz | Maestra Chery | |
Yerlin Perez | María | |
Mario Elias | Mario | |
Andrea Doimeadiós | Berta | |
Cesar Dominguez | Opito | |
Yailene Sierra | Profesora 1 | |
Hector Noas | Guía | |
Carlos Enrique Almirante | Enrique | |
Tamara Rojo | Julieta | |
Fidel Castro | Himself | |
Betiza Bistmark Calderón | Marilín | |
Mario Guerra |
Director/Choreographer |
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Producer |
Andrea Calderwood
Juan Gordon Carlos Acosta Martina Valentina Baumgartner |
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Writer/Composer |
Paul Laverty
Carlos Acosta |
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Cinematography |
Alex Catalan
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Music |
Alberto Iglesias
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Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London. |
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