| Colette | |||||
| Killer Films (2018) | |||||
| Drama, History, Queer Themes/Interest | |||||
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Not In Collection
#1452 |
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| Keira Knightley | Sidonie-Gabrielle Colette | |
| Dominic West | Henry 'Willy' Gauthier-Villars | |
| Fiona Shaw | Adèle 'Sido' Eugénie Sidonie Colette | |
| Denise Gough | Mathilde 'Missy' de Morny | |
| Aiysha Hart | Émilie 'Polaire' Bouchaud | |
| Eleanor Tomlinson | Georgie Raoul-Duval | |
| Ray Panthaki | Pierre-Eugène Veber | |
| Robert Pugh | Jules-Joseph Colette | |
| Karen Gagnon | Claudine | |
| Caroline Boulton | Flossy | |
| Shannon Tarbet | Meg | |
| Arabella Weir | Mme De Caillavet | |
| Rebecca Root | Rachilde | |
| Máté Haumann | Count Muffat | |
| Janine Harouni | Jeanne De Caillavet | |
| Masayoshi Haneda | Baptiste | |
| Jake Graf | Gaston De Caillavet | |
| Dickie Beau | Wague | |
| Sloan Thompson | Matilde | |
| Polina Litvak | Lily | |
| Alexander Weaver | Schwob | |
| Attila Arpa | Heckler | |
| Scott Alexander Young | Hotel Manager | |
| Katinka Egres | Salonite | |
| Roderick Hill | Theatre Manager | |
| Balázs Csémy | Posh Heckler | |
| Peter Schueller | Reporter #1 | |
| Alexandra Szucs | Second actress | |
| Izzy Bayley-King | Polka Dancer | |
| Keira Knightley | Colette | |
| Fiona Shaw | Sido | |
| Dominic West | Willy | |
| Robert Pugh | Jules | |
| Arabella Weir | Mme. de Caillavet | |
| Ray Panthaki | Veber | |
| Al Weaver | Schwob | |
| Virág Bárány | Lotte Kinceler | |
| Kylie Watt | Opera Singer | |
| Joe Geary | Bailiff | |
| Julian Wadham | Ollendorff | |
| István Gyurity | Waiter | |
| Karen Gagnon | Aspiring Actress | |
| Aiysha Hart | Polaire | |
| Katinka Egres | Hungarian Countess | |
| Denise Gough | Missy |
| Director/Choreographer |
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| Producer |
Pamela Koffler
Christine Vachon Dominic Buchanan Mary Burke |
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| Writer/Composer |
Richard Glatzer
Wash Westmoreland Rebecca Lenkiewicz |
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| Cinematography |
Giles Nuttgens
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| Music |
Thomas Ades
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After marrying a successful Parisian writer known commonly as Willy, Sidonie-Gabrielle Colette is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. |
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